Skip to main content

Game of Thrones’ season 8 premiere reminds us why Daenerys shouldn’t be queen

Image used with permission by copyright holder

More Game of Thrones

Although it’s holding out the promise of an apocalyptic battle between the living and the dead, Game of Thrones began its eighth season focusing on the thorny — some might say petty — political drama that defined the show in its early seasons. While Jon Snow may not give a damn about crowns or titles when there’s an army of zombies marching toward civilization, intent on necromancing every living person — or turning them into macabre art installations — just about everyone else in Winterfell seems to be plotting for what comes next. What’s the point of saving Westeros if you’ll spend the rest of your life thereafter under the thumb of a petulant dragon queen, after all?

If there’s one thing the premiere made clear, it’s that Daenerys Targaryen, She of Too Many Titles to List, should absolutely not be queen. I’m not questioning her legal claims to the throne — although Jon secretly being a Targaryen may complicate that — nor her ability to take it by force. Whether or not she can seize the Iron Throne, what Daenerys has demonstrated throughout last season and the beginning of this one is that she has no business running a corner store, let alone seven varied, often bickering kingdoms.

Daenerys’ poor leadership comes down to two problems: Her complete lack of strategic planning, and her penchant for brutally murdering anyone who disagrees with her, both of which have been big knocks against the show’s previous failed tyrants.

Recommended Videos

Game of Thrones, at least in its peak years, has always understood that careful planning and cunning diplomacy decide the course of war more than knightly heroics. Daenerys, however, has the tactical mind of an orc. Her solution to any conflict can be summed up as: Get big army. Big army smash little army.

When the “throw more Unsullied at it” approach fails, her go-to plan is “Kill ’em with dragons,” which admittedly works in most fights, but doesn’t reflect a thoughtful approach (or, indeed, a merciful one).

Image used with permission by copyright holder

Early on, Winterfell provides us with a clear illustration of Dany’s poor planning when Sansa points out that yes, it’s cool that they now have a massive army and two dragons to battle the White Walkers, but there remains the problem of how they’re going to feed all these troops.

“What do dragons eat, anyway?” Sansa asks.

“Whatever they want,” Daenerys replies.

OK, but actually, my liege? We’re trying to plan a war here. There are logistics involved. Do your dragons eat snow? Because that’s 90 percent of what we have up here.

Besides her conviction that allocating resources is unimportant because “Whatever, I’ve got dragons,” Daenerys’ campaign for the Iron Throne is hitting a snag. She has what modern political consultants would call a “likability problem.” While Daenerys may have a solid legal claim to the throne (and while dragons are pretty sick), the history of Westeros shows that you won’t last long in a leadership role if people really dislike you.

It’s not like the Westerosi are irrationally wary, either. Daenerys, having perhaps spent too much time among raiders and slavers, has a brutal, burn-first-and-ask-questions-later approach to dealing with malcontents, and that’s at odds with the chivalric culture of Westeros. Upon taking the nobles Randyll and Dickon Tarly hostage after a battle, rather than taking them prisoner, she has her dragons burn them alive because they won’t acknowledge her as their queen. This isn’t good leadership, it’s just petty retribution.

What’s more, it has very real consequences for her in Winterfell, when she meets Sam and reveals that she cooked his father and brother. Sam reacts by revealing to Jon that he is actually Prince Rhaegar’s son, and urging him to press his own claim for the throne — because people don’t like it when you roast prisoners of war like marshmallows.

Daenerys’ image problem isn’t helped by the fact that, whenever pressed on issues, her responses boil down to “I’m the queen” and “Have you seen my dragons? They like to burn and eat people.”

The people of Westeros have been through a lot, and once the battle with the White Walkers is over (if and when they win), they deserve a leader with a bold vision for the future — or at the very least, one who won’t incinerate them at a moment’s notice.

Will Nicol
Former Digital Trends Contributor
Will Nicol is a Senior Writer at Digital Trends. He covers a variety of subjects, particularly emerging technologies, movies…
Netflix’s 3 Body Problem is missing the one thing that made Game of Thrones great
Ye Wenjie sits in front of a radio dish controller in 3 Body Problem.

Netflix's 3 Body Problem isn't just the streaming service's long-awaited adaptation of the acclaimed Chinese science fiction novel of the same name by Liu Cixin. It's also Game of Thrones showrunners David Benioff and D.B. Weiss' follow-up to their HBO smash hit. In many ways, the Netflix series, which Benioff and Weiss co-created with Alexander Woo, is a worthy successor to a show like Thrones. Like that game-changing HBO drama, it's an adaptation of the kind of famously complex source material that many understandably believed to be unadaptable.

To Benioff, Weiss, and Woo's credit, they prove that's not true across 3 Body Problem's debut eight-episode season. Together, the trio and their collaborators successfully streamline the science-driven narrative of Cixin's original novel, turning it into an episodic story that is both easily digestible and propulsive. While 3 Body Problem gets a lot right, though, it's missing the one thing that made Game of Thrones such a beloved show in the first place. To put it frankly, its characters just aren't all that memorable.
A rich foundation
3 Body Problem | Official Trailer | Netflix

Read more
The Red Wedding at 10: How the groundbreaking episode changed Game of Thrones forever
Robb Stark's body with his direwolf's head in Game of Thrones.

The so-called Golden Age of Television reached its undeniable zenith during the 2010s. Shows like Mad Men, Veep, Breaking Bad, and Stranger Things took TV to new and exciting levels of visual and narrative quality. However, no show had more influence or acclaim throughout the 2010s than Game of Thrones. The HBO juggernaut became synonymous with prestige television, delivering a perfect mix of political intrigue, high fantasy, and sex that became irresistible for critics and audiences.

Game of Thrones wasn't an instant success; it was only in season 3 that the show became the must-see show on television. Two events helped the show achieve this elusive reputation. The first was Daenerys' sacking of Astapor in the fourth episode, And Now His Watch Has Ended. The second is, of course, the Red Wedding. The episode it was featured in, The Rains of Castamere, changed the series' course, altering the fate of multiple characters and radically shifting the power balance between the noble houses of Westeros. The groundbreaking episode showcased Game of Thrones operating at full strength, and, as a result, allowed audiences to truly understand what kind of show they were watching.
Game of Thrones sends its regards

Read more
Why The Last of Us is better as a TV show than a video game
Pedro Pascal with his finger to his mouth telling someone to be quiet in a scene from The Last of Us on HBO Max.

HBO's series The Last of Us has proven to be one of the most popular and well-crafted TV shows in recent memory, which has helped dispel the stigma toward video game adaptations. But naturally, many people armed with their keyboards have deconstructed the series and made heavy comparisons to the acclaimed video game it is based on.

While some may prefer the game over the show, the TV series has arguably improved it in multiple aspects, including in terms of plot, characters, visuals, and overall mainstream appeal. The series has finished its first season, and with another on the way, there is already proof that The Last of Us is better off as a TV show.
The show focuses more on the narrative

Read more