Skip to main content

Stranger Things 4 Volume 1 review: Changing up the formula

It’s beginning to feel like the residents of Hawkins, Indiana, just can’t catch a break.

Over the course of three seasons of Stranger Things, the characters in the fictional town of Hawkins have dealt with child abductions, murders, and even a secret Soviet invasion — all while battling supernatural threats from a terrifying alternate dimension known as the Upside Down. At this point, it feels like a relief that Stranger Things 4 — as the fourth season of the Netflix series is being called — finally takes the adventures out of Indiana (far out, in fact) to deliver the darkest, most wide-reaching chapter in the saga so far.

Recommended Videos

Returning for the fourth season of Stranger Things are series creators The Duffer Brothers, who write and direct five of the season’s nine episodes, along with most of the series’ core cast, which has been growing with each season. All of the expected characters return, both confirmed and hinted at in the nearly three years since the third season debuted, and the adventure takes them both across the U.S. and into the snowy wilderness of Russia as they attempt to both reunite with each other and stop a new, otherworldly enemy.

The cast of Stranger Things holds up lights in a dark attic, gathered in a circle.
Image used with permission by copyright holder

Stranger Things has became one of Netflix’s biggest hits — critically, commercially, and in the size of its rapidly expanding budget — since its July 2016 debut, and while the second and third seasons were certainly well received, they received some criticism for treading familiar ground narratively. Relationships between characters changed and new characters were introduced (and in some cases killed off), but for the most part, each season of the series followed a similar formula, pitting the group against leveled-up variations of the same enemy.

That ends with season 4 of Stranger Things, which bucks from tradition in various, mostly positive ways. This time around, the season will arrive in two parts, for example, with Digital Trends receiving an early look at the first five episodes of the season.

Along with changing up the way the season is released, Stranger Things 4 also resets the tone of the series with a much darker, deadly threat that feels distinct from the Mind Flayer and its army of demogorgons and demodogs that tormented Hawkins across prior seasons. It would seem difficult to up the ante after a season involving a monstrous creature made of liquified human flesh and bone, but somehow the new season does so, offering up an even more disturbing threat that feels more closely aligned with paranormal horror in this arc than the sort of sci-fi roots of previous seasons’ major antagonists.

Winona Ryder and Brett Gelman stand in front of a crashed plane in the snow in a scene from Stranger Things 4.
Image used with permission by copyright holder

The new season blows up the geographic boundaries of the series, too, with much of the action in the first half of the season unfolding in the sunbaked Southwest U.S. and frozen Siberian wilderness, in addition to the requisite creepy goings-on among the remaining characters in Hawkins. Those two elements alone give Stranger Things 4 a surprisingly unique feel within the overarching series, and makes the moments when the story does return to Hawkins and dabble in earlier, Upside Down-related events feel more like a welcome return to the familiar than a cheap retread of old material.

Still, with nearly six years elapsing since the series’ debut, Stranger Things does find itself saddled with a frustrating and somewhat unavoidable elephant in the room.

Any series with a young cast is destined to run into trouble when delays occur, as the actors continue to age even when the cameras aren’t rolling. Previous seasons of Stranger Things did a relatively good job of keeping production on the series rolling along at a quick enough pace to keep their young actors looking somewhat believable as middle- and high-school students. Sure, a few of the older cast members pushed the capacity for credulity a bit (nothing new for any audiences that grew up watching Beverly Hills 90210, of course), but the gap between the actors’ perceived age and actual age was rarely so apparent as to be distracting.

Gaten Matarazzo, Finn Wolfhard, and Sadie Sink stand in a crowd during a high-school rally in a scene from Stranger Things 4.
Netflix

Unfortunately, that also ends with the new season, which found its production period delayed multiple times due to the pandemic and the sort of behind-the-scenes scheduling conflicts that come from having an in-demand ensemble cast.

At this point, most of the series’ core, younger cast members are a difficult sell as high-school students, no matter how much era-appropriate makeup, hairstyling, and costuming (and even subtle visual effects) are put to work on them. Reconciling their perceived age with where they’re intended to be in the story, with regard to both the series’ timeline and their emotional and physical age, takes a little getting used to, and it’s easy to forget that most of the cast members are supposed to be high-schoolers as the show rolls along. This visual disconnect isn’t so powerful that it prevents you from immersing yourself in the story over time, but it can snap you out of scenes now and then — particularly when the narrative brings them back into high-school settings.

If you’re able to trick your mind into believing the cast are years (or in a few cases, a decade) younger than they are, though, the fourth season of Stranger Things offers a level of entertainment and world-building storytelling that makes up for the long wait fans have endured.

Sadie Sink's character levitates over a group of characters in a scene from Stranger Things 4.
Image used with permission by copyright holder

Despite the show’s large cast, each of the characters get a surprisingly satisfying amount of time in the spotlight, with some characters who felt overlooked or underutilized in prior seasons even getting extra time to shine in the new season. The events they’ve endured in prior seasons of the series would rattle even the strongest personalities, and Stranger Things 4 does a nice job of exploring how they’ve grown emotionally and psychologically, along with the visual evidence of another year (in Stranger Things time) passing. To its credit, Stranger Things 4 spreads the love for its characters well, serving up big moments and narrative twists and turns for its characters individually without ever losing the sense of community and family they’ve formed while saving the world time and time again.

That’s no easy balance to strike, and despite the events transpiring around the various groups of characters happening thousands of miles apart, the fourth season of Stranger Things maintains a cohesive, singular narrative that doesn’t lose momentum across its first batch of episodes. Whether your favorite character is evading sinister American agents, a sadistic demon, or Soviet secret police, their stories feel intertwined with the rest of the cast, and building toward something bigger than their individual adventures.

It’s hard to believe that it’s been nearly three years since the last season of Stranger Things, but if the final four episodes of the season are as satisfying and entertaining as the first five, Stranger Things 4 will have been worth the wait.

Season 4 of Stranger Things premieres May 27 on Netflix streaming service.

Stranger Things (2016)

Stranger Things
75%
8.7/10
tv-14
4 Seasons
Genre
Drama, Mystery, Sci-Fi & Fantasy
Stars
Winona Ryder, Millie Bobby Brown, Finn Wolfhard
Created by
Matt Duffer, Ross Duffer
Watch on Netflix
Movie images and data from:
Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
Paper Girls review: time-traveling, girl-power Goonies is good enough
Sofia Rosinsky, Riley Lai Nelet, Camryn Jones, and Fina Strazza look up at a pink sky in a scene from Paper Girls.

Time travel, preteen coming-of-age drama, giant robots -- there's a lot going on in the first season of Prime Video's new series Paper Girls. And yet somehow, it all blends together perfectly.

An adaptation of Brian K. Vaughan and Cliff Chiang's comic book series of the same name, Paper Girls follows a group of four girls in 1988 whose seemingly mundane newspaper-delivery gig is thrown into chaos when they become caught in the middle of a war between rival factions of time travelers. Tossed back and forth in time, the girls soon discover that the futures they envisioned for themselves don't always match up with how things turned out and that messing with time too much could result in having no future at all.

Read more
Nope review: Jordan Peele’s intelligent sci-fi horror delivers
Keke Palmer stands in front of Daniel Kaluuya and Brandon Perea on a long dirt road in a scene from Nope.

The horror genre is in a great place these days, and Nope director Jordan Peele has a lot to do with that success.

Over the last five years, Peele has directed three films, each of them a subversive, twisty spin on a particular subgenre of horror. His directorial debut, 2017's Get Out, was a Hitchcock-esque thriller steeped in the all-too-real terror of systemic racism, while 2019's Us was an exploration of xenophobia and privilege wrapped in a home-invasion slasher.

Read more
Resident Evil review: Netflix series aims high, falls short
A hooded figure holding a bloody chainsaw stands amid prison cells in a scene from the Resident Evil series.

It can't be easy to be a fan of the Resident Evil franchise.

On one hand, you have a groundbreaking, generation-spanning Resident Evil game franchise with a rich (albeit wildly complicated) lore that shows no signs of slowing down. On the other hand, all of that popularity has spawned countless, low-quality spin-offs attempting to capitalize on the Resident Evil brand without channeling much (if any) of the franchise's appeal.

Read more